Organic patterns and reproduction fascinate me. These digital composites are created from my photographs of flowers and layers of my microdrawings. The images have been fractioned and multiplied numerous times while maintaining an integrity of line and detail. The precision of the digital software implicates the almost sinister aspects of perfect symmetry. In almost complete philosophical opposition to my drawings which align to the maxim of imperfection as the rule of the universe, these digital machinations are the epitome of human bravado asserting synthetic machinations of creation.